Lord Curzon Ki Haveli Movie Review: Lord Curzon Ki Haveli Movie Review: Rasika Dugal’s Brilliance Saves Anshuman Jha’s Uneven Chamber Thriller – A Dark Comedy That’s More Talk Than Thrill
In the shadowy corridors of a sprawling English manor, where the ghosts of colonialism linger like uninvited guests, Lord Curzon Ki Haveli (2025) unfolds as a chamber drama that promises Hitchcockian suspense but often settles for stagey soliloquies. Marking actor Anshuman Jha’s directorial debut, this Hindi-English bilingual black comedy thriller—written by Bikas Ranjan Mishra and produced by Golden Ratio Films and First Ray Films—premiered at festivals before hitting Indian theaters on October 10, 2025.
Clocking in at 2 hours, it traps four South Asian expatriates in a single night of revelations, a corpse in a trunk, and biting social satire. But does the intrigue hold up, or does it crumble under its own weight? Our Lord Curzon Ki Haveli movie review unpacks the plot, performances, and why this film is a mixed bag for indie cinema lovers.
Quick Facts Lord Curzon Ki Haveli : Release Date, Cast, and Where to Watch
- Release Date: October 10, 2025 (theatrical release in India; limited international screenings)
- Director: Anshuman Jha
- Cast: Rasika Dugal as Ira, Arjun Mathur as Rohit, Paresh Pahuja as Dr. Basukinath (Basuki), Zoha Rahman as Sanya, Tanmay Dhanania in a supporting role
- Genre: Black Comedy, Thriller, Drama
- Runtime: 2h 0m
- Rating: UA (suitable for 12+ with parental guidance)
- Where to Watch: Currently in select theaters across India (e.g., PVR, INOX); OTT release expected on Netflix or Amazon Prime Video in December 2025 (TBD)
- Box Office Buzz: Opening day collection around ₹1.2 crore nett in India, with modest footfall due to competition from Diwali blockbusters; festival acclaim from UK-Asian Film Festival 2024 adds niche appeal.
For those hunting Lord Curzon Ki Haveli full movie download or spoilers, we’ve kept this review light on reveals—focusing on what makes (or breaks) the experience.
Plot Summary of Lord Curzon Ki Haveli Movie: A Dinner Party from Hell in Colonial Shadows
Set against the foggy moors of Yorkshire, UK, Lord Curzon Ki Haveli draws its quirky title from George Nathaniel Curzon, the infamous Viceroy of India whose Partition of Bengal in 1905 scarred the subcontinent. But don’t expect a history lesson; instead, Jha crafts a locked-room mystery in a lavish haveli-like mansion, evoking Hitchcock’s Rope with its single-set tension.
The story centers on two mismatched couples converging for an impromptu dinner. London-based Dr. Basukinath “Basuki” Tripathi (Paresh Pahuja), a proudly British-citizen Indian doctor with a penchant for tweed and snobbery, arrives with his wife Ira (Rasika Dugal), a small-town transplant suffocating in her loveless marriage. They’re hosted by Ira’s old friend Sanya (Zoha Rahman), a free-spirited failed actress, and her unemployed husband Rohit (Arjun Mathur), a recently fired corporate drone nursing grudges.
What starts as awkward small talk—spiked orange juice, cultural faux pas, and jabs at “Brown Sahibs”—takes a macabre turn when Rohit casually drops that there’s a body stuffed in the antique trunk dominating the drawing room. Is it a prank? A threat? As the night spirals, buried secrets erupt: illegal immigration woes, arranged marriage hypocrisies, racial microaggressions, and the lingering trauma of colonial identity. The film juggles dark farce with social commentary, questioning how desis abroad cling to or reject their roots amid white gazes and visa fears.
Jha’s script, filmed in a swift Yorkshire schedule with improvised Hinglish dialogues, aims for unpredictability—coffin-sized trunks scream “body inside,” yet the real horror lies in the characters’ unraveling psyches. It’s a chamber piece at heart, more suited to theater than screen, but its bilingual flair and festival pedigree hint at ambitions beyond Bollywood’s masala mold.
Performances Lord Curzon Ki Haveli Movie: Rasika Dugal Carries the Ensemble on Her Shoulders
If Lord Curzon Ki Haveli has a lifeline, it’s Rasika Dugal. As Ira, the film’s emotional core, she delivers a masterclass in restraint and revelation—her wide-eyed vulnerability masking volcanic frustration. From deadpan one-liners on “Indian Idol-style bride auditions” to explosive breakdowns exposing marital abuse, Dugal’s timing is impeccable, blending comedy with pathos in a way that elevates the material.
Critics hail her as the “vehicle” for the film, with one noting her “pitch-perfect” delivery that “lifts the dull, talk-heavy exercise.” Arjun Mathur complements her as the roguish Rohit, infusing roguish charm and quiet menace; his chemistry with Dugal crackles, making their flirtatious tension a highlight amid the chaos.
Paresh Pahuja shines as the pompous Basuki, nailing the “colonized mind” archetype with awkward accents and oblivious racism—his obliviousness to Curzon’s legacy adds ironic bite. Zoha Rahman holds her own as the bold Sanya, though her backstory feels rushed, leaving her arc underexplored. Tanmay Dhanania provides solid support, but the ensemble often feels constrained by sketchy character outlines, as if drawn from “two-line sketches.” Overall, the acting is the film’s strongest suit, with festival-goers praising the “spectacular ensemble” for making scenes “feel alive.”
Pros and Cons: Intrigue in a Trunk, But Pacing Drags Like Colonial Baggage
Pros:
- Rasika Dugal’s Tour de Force: Her nuanced portrayal of immigrant alienation and suppressed rage is worth the ticket alone—raw, relatable, and riveting.
- Sharp Social Satire: Tackles colonialism’s hangover, NRIs’ identity crises, and exploitative marriages with wit; the Hinglish banter lands clever punches on hypocrisy.
- Atmospheric Setup: Yorkshire’s moody visuals and minimalistic production design create a claustrophobic vibe, with Beethoven-inspired score adding eerie elegance.
- Twists with Purpose: Unpredictable reveals tie into themes, making it “socially relevant and emotionally engaging” for indie fans.
Cons:
- Stagey and Stilted: Feels like a play transplanted to screen—dialogue-heavy, with awkward staging and little visual flair; “could have been a stage play.”
- Inconsistent Tone: Shifts from farce to thriller to drama without cohesion; dark humor “doesn’t always land,” and mystery fizzles into “nonsense.”
- Shallow Depth: Social commentary feels tacked-on, with underdeveloped arcs and predictable shocks; lacks the “wit and wickedness” for impact.
- Niche Appeal: Not for mass audiences craving action—its slow burn and accents may alienate casual viewers.
The highs shine in intimate moments, but the lows make it a “snoozefest” at times.
Ratings Roundup: Critics Divided, But Dugal Wins Hearts
Lord Curzon Ki Haveli holds a 6.2/10 on IMDb from early viewers, buoyed by festival love but tempered by theatrical shrugs. Critics are split on its ambitions:
| Source | Rating | Key Quote |
|---|---|---|
| Bollywood Hungama | 2/5 | “Rests on Rasika Dugal’s brilliance and a few amusing moments.” |
| Times of India | 3/5 | “Intriguing premise and strong performances make it a decent watch.” |
| The Hindu | 3/5 | “Mystery meets social commentary, ably led by Dugal and Mathur.” |
| Hindustan Times | 1.5/5 | “Promises a puzzle, delivers a snoozefest.” |
| Koimoi | 2.5/5 | “Clever and suspenseful, but not for masses.” |
| India Today | 2.5/5 | “Atmospheric with flashes of wit, but cluttered writing.” |
| The Indian Express | 1/5 | “A heap of shoddily-executed banalities.” |
| Cinema Express | 2/5 | “Opens with intrigue, nosedives into nonsense.” |
On X, reactions are polarized: Fans gush over Dugal’s “nuanced emotional performance” and the “sharp humor,” with one user tweeting, “Rasika owns it—socially relevant and twisty!” Detractors call it “stilted” and “feeble,” echoing Scroll’s take on its “sluggish staging.” Bollywood Hungama notes negligible buzz could hurt box office, especially pre-Diwali.
Final Verdict: Stream for Dugal, Skip the Snooze
Lord Curzon Ki Haveli is a bold swing for Jha—ambitious in its fusion of thriller tropes and postcolonial critique—but it stumbles on execution, feeling more like a “Hitchcock-sized mess” than a taut symphony. Yet, in Rasika Dugal’s hands, it finds fleeting magic, reminding us why chamber dramas endure: intimate truths amid confined chaos. Ideal for arthouse enthusiasts craving substance over spectacle, but casual viewers may find the trunk’s secrets not worth unpacking.
Our Rating: 2.5/5 – Lord Curzon Ki Haveli Movie , Dugal dazzles in a dialogue-driven dud; intriguing setup, underwhelming payoff.
Caught the film? Share your Lord Curzon Ki Haveli review below—did the corpse shock or the satire sting more? For more Bollywood movie reviews 2025, Rasika Dugal films, and Anshuman Jha directorials, keep reading!
